Showing posts with label Nell Gwyn. Show all posts
Showing posts with label Nell Gwyn. Show all posts

Sunday, September 13, 2009

The Manuscript

It arrived! Over the ocean and through the woods in a UPS truck it came! A rectangular, battered, brown envelope waited on the porch when I returned from an emergency trip to town. I had dropped my phone into the pool and then had to fish it out with my feet like some sort of primate as the pool had just been chlorinated and I did not want my recently bleached hair to turn green. Michelle and Peanut were highly amused watching this display of dexterity. The valiant little phone--not her first swim in the pool--gasped her last breath and blew bubbles over the screen. I am making friends with my new phone and feeling quite disloyal.

But when one stops watching the kettle... the UPS truck arrives! We sat, the brown envelope and I, over a dinner of cantaloupe and saimin and discussed the possibilities: A) We open it alone and panic alone. B) We call in reinforcements to open it with us but then most likely wish whoever it was would go away so we could be left in peace to panic. We went with B, the brown envelope and I. B plus talking to my mother on the phone for support.

And it was marvelous! (Funny 'marvelous' is spelled with one 'l' here and two 'l's' in the UK. I occasionally get out of step with words and nothing looks right--'organis/ze' and 'fork' are terribly tricky.)

The editorial letter was effusive, warm and generous. So happy! My lovely editor's comments were constructive and very, very kind. And I agree with them! Throughout there have been a few patches that felt, not bad but like they could not quite carry their own weight and needed to be tent-poled by stand out lines. Now they are going to get renovated! There is a high drama section where the life of the character plays second fiddle to the extraordinary history of the time (plague and fire of 1665-1666). Not ok! I have to weave her life through the history rather than the reverse. Regardless of the enormity of public events personal lives remain at the forefront for they provide the lens.

Excited to work!

Tuesday, August 11, 2009

Scribble Scribble


When I started this novel that I thought would never actually become a novel, the hurdles seemed endless--absurd, gigglefit endless.  The agent, the publisher, the editor and then of course, writing the book.... 

So I decided not to think about it.  After completing my doctorate (well my doctorate but not my revisions) I moved from Pimlico, London, back to the North Shore of Kauai and ignored all that lay ahead.  What better place to write about 17th Century London than Hawaii?  Made perfect sense.  It also was my only option as writing a book that was not yet a book did not pay terribly well.  So back into Kalani, my parents' empty summer house (empty that is until it is rented by hordes of tourists who boot me straight onto my friend Michelle's couch or my beautiful room in my hanai mom Wendy's beautiful happy house by the sea) to write. 

I was lucky and had done a huge hunk of my research for the book amidst my far-reaching PhD research and armed with the Complete 10 Volume Diary of Samuel Peyps and 300 auxiliary texts, photos, etchings and old maps, away we went.

My mother is an editor and she always says in her wonderful mixed metaphor way: "Nose to the grindstone.  Scribble Scribble."  Not looking up, holding my breath, total immersion, a winter ocean, loving encouragement and three years later...a first draft.  The Orange Girl.  One hurdle safely cleared.  Zillions to go.